visual storytelling
Using different palettes, animator Bonnie Rose brings out the subtle difference between the two parts of the song. Rhett's verse is more of a dream and is rendered in cool tones. Link's is actually a nightmare, and is animated in warm colors.
Like so many parts of this production, Bonnie had her own share of "happy accidents" in the making of her scene:
I had a really startling one; when I was doing the "Frere Jacques" scenes, I just kind of guessed how long each scene should be, but then when Link starts singing, I had to have that start at a certain exact frame to synch up. Well when I put all the non-singing bits together, it ended EXACTLY at the right frame where I needed to start the singing part. Not even one frame before or after, the exact 1/30th of one second. That was weird! As Neil [Innes] sang so brilliantly, "There are no coincidences, but sometimes the pattern is more obvious." |
so many layers
|
- welcome
- about
- tunes
-
toons
- The Smitty Scenes >
- Ounces (Origins remix)
- Holy Juju Beans
- Barber Blues (Melvin Cooley cut)
- Tucker's Amazing Ability
- This is a Dream >
- Awake >
- Squirt Some Mayo On It
- Welcome to the Show!
- Somebody Stole My Dog
- Un-Umbilicalized Smoke Emission Tubule
- Where Did You Go?
- Oh My Goodness (Sheriff remix)
- Tubule Test
- I'm Coming Home
- End Credits
- musicians
- animators
- crew
- promos
- TOS
- muses